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A new historical novel in the She-Wolf series: interview with author Carol McGrath

It’s a great pleasure to meet author Carol McGrath today, and to welcome her to a spring-like Yorkshire!

helena fairfax, freelance editor, romance
The Greek Mani

Where do you live, Carol?

There is a question! I live in Oxfordshire, England. I also own a house in the Greek Mani which is where I am at the moment.

That sounds – and looks – lie a wonderful place to be at the moment.

Where is your favourite place in the world?

I have to say Donegal in the West of Ireland rates highly though we never bought a holiday house there. The Greek Mani comes close. It’s at the tip of the Peloponnese.  Greece is steeped with myth, legends and history. Writers and artists live here so it is inspiring. Some of us over the last few years started up The Mani Literary Festival. Lots of writers want to be part of it. I hope we preserve its character because it is very special. It’s cold here in winter but roasting hot in summer. The best times of year are the Spring and Autumn. The landscape constantly reminds me of Donegal. There’s sea and mountains and much that is of an older world as well as coastal towns with mod cons galore.

I loved Donegal when I visited, too. I can see it being like Greece – only without the sun!

Being a writer is a great job. What’s the worst job you have ever had?

I was a teacher and loved that but none the less ditched it to write. My worst job was working in a San Franciscan Deli where the lunch queue was so fast I had to work incredibly hard to keep up with the sandwich making. It was called The Zasu Pitts Memorial Delicatessen and we had a somewhat temperamental if literary boss who had known many of the ‘beat’ writers such as Jack Kerouac, and the poet, Lawrence Ferlinghetti. I worked there for a year. It wasn’t so terrible really and actually, I guess I have just been lucky with my employment experiences.

That sounds like it could make a great story…

If you could meet anybody dead or alive, who would it be and what would you say to them?

I would like to meet Henry VIII to see what his personality was really like and what his voice sounded like. I guess I might curtsey and say ‘Pleased to meet you, Sire. Please do not take offence by anything I might say. I come from another time so do have empathy for me. I may not know enough to pass as an authentic Tudor woman but the past is a place where you do things differently, as is the future. I am here to understand and learn. But please tell me, did you love any of your wives with all your heart and for herself?’

 I expect the chop of course!

It would take a brave person to ask – but I’d love to know the answer, too!

What is your happiest childhood memory?

Donegal holidays and playing on the beach as well as making up stories about smugglers and lights flashing in the mountains behind us at night. We were a happy band of summer friends who ran wild and made our own fun. Summer which was the month of July seemed to last forever. Even wet days were great fun then.

It sounds brilliant. Just like the Famous Five.

If you had to marry a fictional character from books, television or film who would it be?

It could be Dickens’ David Copperfield who had a history, was determined, clever and full of heart. I would learn much first-hand about Victorian society and I would enjoy his company.

What would your Desert Island Disc be?

‘Madam George’ by Van Morrison in Astral Weeks. I played that, ‘Moondance’ and ‘Tupelo Honey’ a lot when I was young. Also, I know the locations for ‘Madam George’ and these being around my University, well, indeed they are very nostalgic reminding me always of Queens University, student days, and my home town, Belfast.

What’s the most important lesson life has taught you?

Question everything. Do not take anything, especially the media today, at face-value.

And finally, please tell us a little about your latest release, and where we can find it.

carol mcgrath, the damask rose

The Damask Rose

This is the second novel in the She Wolf Queen Trilogy. The first, The Silken Rose, featured Ailenor of Provence. The Damask Rose is mainly about Eleanor of Castile. Her character is off-set by a second heroine, an herbalist called Olwen whose story shows us the lives of ordinary people rather than exclusively focusing on the court. Their stories intersect.

1266. Eleanor of Castile, adored wife of the Crown Prince of England, is still only a princess when she is held hostage in the brutal Baron’s Rebellion, and her baby daughter dies. Scarred by privation, a bitter Eleanor swears revenge on those who would harm her family – and vows never to let herself be vulnerable again.

As she rises to become Queen, Eleanor keeps Olwen – a trusted herbalist, who tried to save her daughter – by her side. But it is dangerous to be friendless in a royal household, and as the court sets out on crusade, Olwen and Eleanor discover that the true battle for Europe may not be a matter of swords and lances, but one fanned by whispers and spies . . .

The Damask Rose Buy Link

helena fairfax, carol mcgrath

Carol McGrath is the author of the acclaimed She-Wolves Trilogy, which began with the hugely successful The Silken Rose and continues with the brand new The Damask Rose. She was born in Northern Ireland, and fell in love with historical fiction at a young age, reading  children’s classics and loving historical novels especially Henry Treece, The Children’s Crusade, and, as a teenager, Anya Seton’s Katherine and everything by Jean Plaidy. Visiting the Tower of London and Hampton Court Palace aged eleven was thrilling for her. Exploring Irish castles such as Carrickfergus introduced her to wonderful stories. At only nine years old an archaeological dig in Donegal was inspirational. Carol came away with a few ancient mammal teeth. While completing a degree in history, she became fascinated by the strong women who were silenced in records, and was inspired to start exploring their lives. Her first novel, The Handfasted Wife, was shortlisted for the Romantic Novelists’ Association Awards, and Mistress Cromwell was widely praised as a timely feminist retelling of Tudor court life. Her novels are known for their intricacy, depth of research and powerful stories.

For more news, exclusive content and competitions, sign up to Carol’s newsletter

Follow her on Facebook: /CarolMcGrathAuthor1 and on Twitter: @CarolMcGrath

Thank you, Helena, for interviewing me. It was great fun!

*

Thanks so much for visiting, Carol, and for your thoughtful answers. It’s been lovely getting to know you. The Damask Rose sounds a fascinating novel, and it’s a period of history I know little about. I’m really looking forward to reading it.

If you’ve enjoyed Carol’s interview, or have any questions or comments, please let us know. We’d love to hear from you!

10 thoughts on “A new historical novel in the She-Wolf series: interview with author Carol McGrath

  1. The ‘strong women silenced by records’ suffered from descriptions written by medieval monks, ignorant about women. However, XIX century historians in England and France maintained that medieval women were downtrodden, submissive, totally dependent on their husband or father, and that most of them were illiterate. The reality was completely different. Medieval women of all classes had to work, whether they were running their husband’s castle in his absence at war or at court, or they were helping their husband in his shop or on his farm; there were even female stonemasons. Moreover, medieval women could inherit and own land and other property. The first (economic) historian to publicize the independence of medieval women was Eileen Power in her book entitled Medieval People, published in 1924. Eileen Power’s ideas were boosted 50 years later by her husband, Professor Postan, when he reissued her essays as a book entitled Medieval Women. This paved the way for recent books which examine the independence which was first highlighted by Eileen Power. Three which I have found helpful are: A Small Sound of the Trumpet by Margaret Wade Labarge (1986), Medieval Women by Henrietta Leyser (1995) and Wives and Widows of Medieval London by Anne F. Sutton (2016). Medieval paintings and drawings show women gardening, brewing beer, nursing, teaching, weaving, tapestries, shearing sheep, writing books for a living (Christine Pisan). They show women hawking. They show women playing chess, like the heroine of my novels did with Sir John Keyham.

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    1. Thanks for your fascinating comment, Danae. I know very little about this period of history, and what I do know I’ve gleaned from reading novels. It’s so interesting that women in those days seemed to have greater power and independence than they did in the 19th century. I have a non-fiction book about women’s lives in Halifax, West Yorks, from 1850-1950. It’s always puzzled me to know just when it was decided that women shouldn’t have property, a proper education, or a career, when in the times of the Celts they were leaders in their own right.
      Thanks very much for dropping in, and for your thought-provoking comment. I look forward to checking out some of the books you mention!

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  2. Thank you Helena. I hope you enjoy not only the four non-fiction books I mentioned above but also my novels about Belina Lansac, my heroine-detective who lived in Gascony in 1483, running the cathedral souvenir shop. She was not an exception doing that. Her unusual characteristic was that she was capable of being a detective. She and her brothers inherit equal shares of their father’s property.

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  3. Loved the interview, and now want to read the books… I need to read historical fiction again, especially if the central characters are women. Reading this genre, history degrees are a complication – Uni tutors seemed united in their scorn. WLTR ? Lady Anne Clifford, please – .. Reading Katherine at fifteen, I loved the whole book, believed that historical fiction could be true, and include the lives of the ‘ other ranks’ ( most of our ancestors. I suspect, certainly mine ) Then I read a critical analysis of Anya Seton’s Katherine, identifying wrong dates, and much more, dismantling the entire love story. ,. Illusions were shattered,and I started to avoid historical fiction based on real people.

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    1. This is a really interesting point you raise, Esther, and something I’ve been thinking about since watching Bridgerton. I found the novel it’s based on seemed to be full of inaccuracies and Americanisms, and I didn’t enjoy it. The Netflix series didn’t make any claims to be historically accurate, and for some reason I was much more able to accept the story as just a completely fictional version of Regency England and I thoroughly enjoyed it.
      I guess even if authors tried their very best to be historically accurate, we still will never really know what it was like to live in those days. It’s even harder to know what it would have been like to live as a woman, and particularly a woman of lesser rank, as the history books and records were mainly written by men for too long.
      You’ve reminded me I haven’t read Katherine. I’ve heard so many people say how much they love it, that I have to read it soon! Thanks for the reminder. It does sound a great read, even if not totally accurate.

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  4. Thanks for this immediate response..’Losing’ the Anya Seton version hurt – but I’m looking forward to The Red Prince…
    Clarification – I love historical fiction, but ( two mainly history degrees later) – I prefer fictional characters, in a historically convincing setting – Cadfael, Falco, and Bernard Knight’s Crowner John… No DNA tests and SOCOs in the twelfth century – just a brilliant forensic pathologist’s knowledge of fatal injuries, and all the usual unchanging motives.

    Wish Falco had been around for sixth form Latin. – suspect our teacher would agree. …

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    1. I’ve heard lots of great things about the Falco books, too, but never read any. i just checked them out and the first is only 99p on Kindle, so that’s my reading lined up! Thanks for another great recommendation!

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